> Speaking with IndieWire to promote her upcoming indie comedy “I’ll Be Right There,” Falco tells us about how her opening scene for “Many Saints” had gotten cut. “I came in and I did a monologue,” Falco tells IndieWire. “I’m embarrassed that I don’t know what [exactly] it was about. It was Carmela as if she was musing on the old days and then the movie began. Then I found out that [Taylor] didn’t end up using it. What a flippy day that was [laughs]. All these years later they’re doing my hair, putting on jewelry, putting the nails back on, it was like a serious trip. There were so many ‘Sopranos’ people there. It was so lovely. I’m so deeply fond of those people, Alan Taylor, of course, amongst them.”
> In getting back in Carmela drag, Falco tells us that “it was crazy, but so normal, because I spent 10 years of my life doing that daily. You don’t get to do that a lot.”
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The movie should have focused on child Tony and let the Dickie Moltisanti stuff happen in the background.
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> Speaking with IndieWire to promote her upcoming indie comedy “I’ll Be Right There,” Falco tells us about how her opening scene for “Many Saints” had gotten cut. “I came in and I did a monologue,” Falco tells IndieWire. “I’m embarrassed that I don’t know what [exactly] it was about. It was Carmela as if she was musing on the old days and then the movie began. Then I found out that [Taylor] didn’t end up using it. What a flippy day that was [laughs]. All these years later they’re doing my hair, putting on jewelry, putting the nails back on, it was like a serious trip. There were so many ‘Sopranos’ people there. It was so lovely. I’m so deeply fond of those people, Alan Taylor, of course, amongst them.”
> In getting back in Carmela drag, Falco tells us that “it was crazy, but so normal, because I spent 10 years of my life doing that daily. You don’t get to do that a lot.”
The movie should have focused on child Tony and let the Dickie Moltisanti stuff happen in the background.